Five minutes with Kylie Howarth

Kylie Howarth is an award winning Western Australian author, illustrator and graphic designer. Original illustrations and draft materials from her most recent picture book 1, 2, Pirate Stew (Five Mile Press) are currently showing in The Story Place Gallery.

We spent some time hearing from Kylie Howarth about the ideas and inspiration behind her work. Here’s what she had to say…

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1, 2, Pirate Stew is all about the power of imagination and the joys of playing in a cardboard box. How do your real life experiences influence your picture book ideas? What role does imagination play?

The kids and I turned the box from our new BBQ into a pirate ship. We painted it together and made anchors, pirate hats and oars. They loved it so much they played in it every day for months… and so the idea for 1, 2, Pirate Stew was born. It eventually fell apart and so did our hot water system, so we used that box to build a rocket. Boxes live long lives around our place. I also cut them up and take them to school visits to do texture rubbings with the students.

Your illustrations for 1, 2, Pirate Stew are unique in that they incorporate painted textures created during backyard art sessions with your children. What encouraged you to do this? How do your children’s artworks inspire you?

I just love children’s paintings. They have an energy I find impossible to replicate. Including them in my book illustrations encourages kids to feel their art is important and that they can make books too. Kids sometimes find highly realistic illustrations intimidating and feel they could never do it themselves. During school and library visits, they love seeing the original finger paintings and potato stamp prints that were used in my books.
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Through digital illustration you have blended hand drawings with painted textures. How has your background and training as a graphic designer influenced your illustrative style?

Being a graphic designer has certainly influenced the colour and composition of my illustrations. In 1, 2, Pirate Stew particularly the use of white space. Many illustrators and designers are afraid of white space but it can be such an effective tool, it allows the book to breathe. The main advantage though is that I have been able to design all my own book covers, select fonts and arrange the text layout.

Sometimes ideas for picture books evolve and change a lot when working with the publisher. Sometimes the ideas don’t change much at all. What was your experience when creating 1, 2, Pirate Stew? Was it similar or different to your previous books Fish Jam and Chip?

I worked with a fabulous editor, Karen Tayleur on all three books. We tweaked the text for Fish Jam and Chip a little to make them sing as best we could. With 1, 2, Pirate Stew however, the text was based on the old nursery rhyme 1, 2, Buckle My Shoe. So there was little room to move as I was constrained to a limited number of syllables and each line had to rhyme. I think we only added one word. I did however further develop the illustrations from my original submission. Initially the character’s faces were a little more stylised so I refined them to be more universal. Creating the mini 3D character model helped me get them looking consistent from different angles throughout the book. I also took many photographs of my boys to sketch from.

1, 2, Pirate Stew – an exhibition is on display at the State Library of Western Australia until 22 June 2017. The exhibition is part of a series showcasing the diverse range of illustrative styles in picture books published by Western Australian authors and illustrators. For more information go to http://www.slwa.wa.gov.au

Local illustration showcase

From digital illustration to watercolor painting and screen-printing, three very different styles of illustration highlight the diversity and originality of picture books published this year. 

In a series of exhibitions, The Story Place Gallery will showcase original artwork by Western Australian illustrators from the picture books 1,2 , Pirate Stew, (Five Mile Press 2017), One Thousand Trees and Colour Me (Fremantle Press 2017).

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7, 8, he took the bait © Kylie Howarth 2017

In 1,2 , Pirate Stew,  Kylie Howarth has used a digital Illustration process to merge her drawings created using water soluble pencils, with background textures painted by her two adventurous children Beau and Jack. Kylie Howarth’s playful illustrations of gentle colours, together with her entertaining rhyming verse, take readers on an imaginative adventure all about the joys of playing in a cardboard box. Illustrations from 1,2, Pirate Stew are on display from 26 May – 22 June.

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Among © Kyle Hughes-Odgers 2017

Kyle Hughes-Odgers’ distinctive illustrations blend geometric shapes, patterns and forms. In his watercolour illustrations for One Thousand Trees, he uses translucent colours and a restricted colour palette to explore the relationship between humankind and the environment. Shades of green browns and grey blues emphasise contrasts between urban and natural scenes. Kyle Hughes-Odgers places the words of the story within his illustrations to accentuate meaning. One Thousand Trees is on display from 24 June to 23 July.

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If I was red © Moira Court

Moira Court’s bold illustration for the book Colour Me (written by Ezekiel Kwaymullina) were created using a woodcut and screen printing technique. Each final illustration is made from layers of silk screen prints created using hand cut paper stencils and transparent ink. Each screen print was then layered with a patchy, textural woodcut or linoleum print. Colours were  printed one at a time to achieve a transparent effect. The story celebrates the power of each individual colour, as well as the power of their combination. Colour Me is on display from 26 July – 16 August.

Each exhibition in this series is curated especially for children and is accompanied by a story sharing area, self-directed activity, and discussion prompters for families

  • The State Library of Western Australia is a wheel chair accessible venue
  • The exhibitions are located in the The Story Place, a vibrant and accessible area with plenty for children and families to do. Located on the mezzanine floor of the State Library The Story Place hosts regular activities including Baby Rhyme Time, Story Time and Activity Time. For more information go to www.slwa.wa.gov.au 

In conversation with the J.S. Battye Creative Fellows

How can contemporary art lead to new discoveries about collections and ways of engaging with history?  Nicola Kaye and Stephen Terry will discuss this idea drawing from the experience of creating Tableau Vivant and the Unobserved.

In conversation with the J.S. Battye Creative Fellows
Thursday 27 April, 6pm
State Library Theatre.

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Tableau Vivant and the Unobserved is the culmination of the State Library’s inaugural J.S. Battye Creative Fellowship.  The Creative Fellowship aims to enhance engagement with the Library’s heritage collections and provide new experiences for the public.

Tableau Vivant and the Unobserved
visually questions how history is made, commemorated and forgotten. Through digital art installation, Nicola Kaye and Stephen Terry expose the unobserved and manipulate our perception of the past.  Their work juxtaposes archival and contemporary imagery to create an interactive experience for the visitor where unobserved lives from the archive collide with the contemporary world. The installation is showing at the State Library until 12 May 2017.

For more information visit: http://www.slwa.wa.gov.au

Tableau Vivant and the Unobserved

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Still scene: Tableau Vivant and the Unobserved, 2016, Nicola Kaye, Stephen Terry.

Tableau Vivant and the Unobserved visually questions how history is made, commemorated and forgotten. Through digital art installation, Nicola Kaye and Stephen Terry expose the unobserved and manipulate our perception of the past.  Their work juxtaposes archival and contemporary imagery to create an experience for the visitor where unobserved lives from the archive collide with the contemporary world.

Tableau Vivant and the Unobserved is the culmination of the State Library’s inaugural J.S. Battye Creative Fellowship.  The Creative Fellowship aims to enhance engagement with the Library’s heritage collections and provide new experiences for the public.

Artists floor talk
Thursday 6 April, 6pm
Ground Floor Gallery, State Library of Western Australia.

Nicola Kaye and Stephen Terry walk you through Tableau Vivant and the Unobserved

In conversation with the J.S. Battye Creative Fellows
Thursday 27 April, 6pm
State Library Theatre.

How can contemporary art lead to new discoveries about collections and ways of engaging with history?  Nicola Kaye and Stephen Terry will discuss this idea drawing from the experience of creating Tableau Vivant and the Unobserved.

Tableau Vivant and the Unobserved is showing at the State Library from 4 April – 12 May 2017.
For more information visit: www.slwa.wa.gov.au

School Magazines

avon_northam_june_1939_cover_2016-10-26_0936School magazines provide a fascinating glimpse into the past.

What was high school like from 1915 through to the 1950s? What issues interested teenagers? How did they react to current events including two world wars? In what ways did they express themselves differently from today’s teens? What sort of jokes did they find amusing? (Hint: there are many of what we would call “dad jokes”.)

The State Library holds an extensive collection of school magazines from both public and private schools. Most don’t start until after 1954 which, as with newspapers, is our cut-off date for digitising, but we have digitised some early issues from public schools.

 

In the first part of the 19th Century they were generally produced by the students, with minimal input from school staff – and it shows. The quality of individual issues varies widely, depending, most probably, on the level of talent, interest and time invested by the responsible students.

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Cricket cartoon Northam High School (The Avon) Sept. 1930

These magazines may include named photographs of prefects and staff, sporting teams and academic prize winners. Photographs from early editions tend to be of much higher quality, possibly because they were taken using glass negatives.

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Essay competition. The subject: “A letter from Mr Collins congratulating Elizabeth on her engagement to Mr Darcy”  Phyllis Hand and Jean McIntyre were the prize winners.      Perth Girls’ School Magazine Nov. 1922

You will find poetry and essays, sketches by and of students, amateur cartooning, and many puns, jokes and limericks.

Some issues include ex-student notes with news about the careers, marriages and movements of past students. There is an occasional obituary.

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Northam High School (The Avon) June 1943

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Does anyone know these twins from Meckering?  Northam High School (The Avon) May 1925

Issues from the war years are particularly interesting and touching. You may also find rolls of honour naming ex-students serving in the forces.

There is also often advertising for local businesses.

 

 

 

 

 

 

 

 

 

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Girls’ A Hockey Team Albany High School (Boronia) Dec. 1925

These magazines reflect the attitudes of their tight-knit local community of the time.  Expect to hear the same exhortations to strive for academic, moral and sporting excellence that we hear in schools today – while observing the (in retrospect) somewhat naïve patriotism and call to Empire and the occasional casual racism.

 

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The following high school magazines for various dates are either available now online or will appear in the coming weeks: Perth Boys’ School MagazinePerth Girls’ School Magazine (later The Magpie); Fremantle Boys’ School; Northam High School (The Avon); Girdlestone High School (Coolibah); Eastern Goldfields Senior High School (The Golden Mile – later Pegasus); Bunbury High School (Kingia); Albany High School (Boronia) and Perth Modern (The Sphinx). None are complete and we would welcome donations of missing volumes to add to our Western Australian collections.

If you would like to browse our digitised high school magazines search the State Library catalogue using the term: SCHOOL MAGAZINES

*Some issues of The Magpie are too tightly bound for digitising so they are currently being disbound. They will then be digitised and rebound. Issues should appear in the catalogue in the near future.

Final week to see Unfinished Business

The statement ‘without stories there is silence’ powerfully captures the essence of this exhibition.

Unfinished Business brings to focus the voices of Aboriginal and Torres Strait Islander peoples who are affected by disability through photographs by Belinda Mason and film by Knierim Brothers.

Historically the voices of Aboriginal and Torres Islander peoples, and the voices of people with disability have been misrepresented, silenced or excluded from documentary histories.

The images and words of this exhibition convey the reality of lives affected by the ongoing historical, social and political impacts of colonialism. The stories represented in the exhibition are not sugar coated. They are raw and honest, attesting to the strength, resilience and power of all participants, and all people with experiences of disability.

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Yamatji man, Marlon Noble with his photograph titled ‘Noble Cause’, Unfinished Business exhibition launch, State Library of Western Australia 12 May 2016.

Photography is a creative expression which is capable of commanding the viewer’s attention. Each photograph has power to open the eyes of the audience, conveying personal stories in an autobiographical way. We have seen this in action, where visitors stop, take time to experience and are visibly moved by the images.

Accessibility is a the core of this exhibition. The Open Access Tours app provides access to additional audio and video material.

Unfinished Business closes 3 June 2016. For more information visit the State Library website.

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Do you have a favourite photo of your dog, cat, rabbit or hamster?

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Bring the photo (not the pet) into the State Library of Western Australian on Sunday December 13 between 11am and 1pm and one of three local illustrators will produce a wonderful likeness for you to take home.

Author, artist and illustrator, Wendy Binks; caricaturist, cartoonist and illustrator Joe Filocamo; and caricatures artist and cartoonist Henry Lam will be on site to create a delightful image that you can keep or give away as a present.

While you’re in the Library, say hello to Hairy Maclary, Slinky Malinki, Schnitzel von Krumm, and Scarface Claw, who all feature in the Lynley Dodd Story exhibition.

Dame Lynley Dodd is an internationally renowned author and illustrator from New Zealand.

Her work is synonymous with early literacy development, with the Hairy Maclary and Friends™ series being a highly acclaimed and valued resource, not to mention much-loved by children the world over.

As well as having their own pet illustration to take home, visitors will be able to see these superb original works at close range — some of which have never been exhibited before — to get a real understanding of how an illustrator works and how the text and image are married together to create the charming stories.

Bring your pet picture into the State Library of Western Australia, in the Perth Cultural Centre, on Sunday 13 December between 11am and 1pm and meet the illustrators.

Visit our website for more information

Extra! Extra! Adultery, murder, scandal and gossip – more than thirty years of the Truth newspaper

Adultery, murder, scandal and gossip – this was the sort of fare dished up by the Truth newspaper. The Perth edition of the Truth ran from 1903 to 1936, titillating Western Australian audiences for more than thirty years. It also covered less salacious topics such as politics, sport and society news.

Now you can delve into this publication yourself because the Truth newspaper has been made available online.

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Linotype in operation at the Truth newspaper, 1930, State Library of Western Australia, 233089PD

The State Library of Western Australia collects, preserves and makes accessible our state’s documentary heritage and this, of course, includes newspapers. We aim to collect every newspaper published in Western Australia and currently hold close to 1,000 different newspaper titles. Some of these are selected to feed into Trove in the Digitised newspapers and more section.

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Audacious adventuress masquerades as a man – an article which appeared in the Truth newspaper on 29th February 1908, page 8

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Josie Bungalow, brothel in Roe Street, that allegedly lures married men to folly and infidelity, State Library of Western Australia, 048405PD

The Truth is one of our recently added titles, chosen because of its interest as a scandal rag. If you haven’t searched Trove before you are in for a treat! If you have searched before, remember that new titles are being added all the time so it is well worth revisiting.

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Alleged stabbing in Bridgetown divorce. Kidnapped from racecourse – an article which appeared in the Truth newspaper on 27th July 1930, page 16

The State Library also holds the Truth newspaper collection of over 3,000 photographs, some of which you can see here. They include images of weddings; politicians; sportsmen such as jockeys and boxers; police constables and detectives; weapons and scenes of crime and much more.

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Jockey Jack Corry in hospital following an operation on a cist ‘in a place which makes the saddle no cushion’, State Library of Western Australia, 049257PD

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Detectives Lewis and McLernon who effected the arrest of the Pardelup escapee, Playford, State Library of Western Australia, 049172PD

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The wedding of Kevin Sullivan and Kathleen Walsh, 14 January 1931, State Library of Western Australia, 048924PD

Behind the Wire: Images and Stories of Vietnam Veterans

This exhibition shares the stories of over 40 veterans, including 12 West Australians through contemporary photographs and interviews by Susan Gordon Brown. 

Behind The Wire: Images and Stories of Vietnam Veterans. Photos: Susan Gordon Brown. 7 August - 27 September 2015

Behind The Wire: Images and Stories of Vietnam Veterans. Photos: Susan Gordon Brown.
7 August – 27 September 2015

Politically and socially, the Vietnam War cut a wide swathe through Australian society and especially through the lives and families of those who served.

The photographs of official war photographers, photojournalists and the personal photographic records of soldiers, provide an important account of this time. Vietnam, with its reputation as the “television war” saw the rise of the assertion of the ‘the public’s right to know’ where debates around the photograph fueled global politics.

Perhaps the most famous personal photographic records are those of soldier Andy Mattay and his Kodak Instamatic documentation of the 7RAR , a photographic collection held by the National War Memorial.

We know all to well that a photo only ever captures part of a story.  Experiences of war and conflict are not limited to the battlefront. So too, the need to document and capture the history of the Vietnam War is ongoing as previously untold stories come to the fore. It is important that the stories both the the war and its aftermath are told.

The American unit that I’d worked with closely gave me a farewell party the day before I flew out of Vietnam. I had tears in my eyes. I didn’t want to go home. In hindsight, the war was a great waste of life and money, but I wouldn’t have missed it for quids. HQ AFV Kevin Graham b.1936 Ammunition Technical Officer Vung Tau September 1968 – March 1969 Photo: Susan Gordon Brown

The American unit that I’d worked with closely gave me a farewell party the day before I flew out of Vietnam. I had tears in my eyes. I didn’t want to go home. In hindsight, the war was a great waste of life and money, but I wouldn’t have missed it for quids.
HQ AFV Kevin Graham b.1936
Ammunition Technical Officer
Vung Tau
September 1968 – March 1969
Photo: Susan Gordon Brown


Behind the Wire
presents the everyday, personal stories of veterans through portraiture and oral history extracts. To quote journalist and writer Alan Attwood, “They have a shared history as Vietnam veterans. But each story, each face, each perspective is different”.

“When you returned to Australia you stepped out of a very surreal environment. The experience there was one of wondering: will I be alive tomorrow? Re-establishing the old values was probably the hardest thing to do. It’s almost as if you were between reality and fantasy” Glenn Darlington b.1946 I Gunner Signalman I Nui Dat I June 1968 – March 1969 Photo: Susan Gordon Brown

“When you returned to Australia you stepped out of a very surreal environment. The experience there was one of wondering: will I be alive tomorrow? Re-establishing the old values was probably the hardest thing to do. It’s almost as if you were between reality and fantasy” Glenn Darlington b.1946 I Gunner Signalman I Nui Dat I June 1968 – March 1969
Photo: Susan Gordon Brown

This is one of the reasons why Susan Gordon Brown’s work through Behind the Wire is significant. It highlights that the history of the war is a living history, very present in the memories of veterans, their families and friends. The oral history excerpts featured in the exhibition capture personal perspectives, unrepresented in official sources or history books. It is important to recognise these stories and equally important to collect and preserve them.

“Maybe it dawned on me – one minute I was flying around in a helicopter doing God knows what; then I was going back to work.” HQ AFV, AATTV John Riley b.1946 Medic Saigon, Baria January 1970 – December 1970

“Maybe it dawned on me – one minute I was flying around in a helicopter doing God knows what; then I was going back to work.”
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John Riley b.1946 Medic Saigon, Baria January 1970 – December 1970, Photo: Susan Gordon Brown

The Library holds many items from World War I within its heritage collections – diaries, letters, and photographs. They belonged to West Australians who served in World War I or who remained here in Western Australia on the home front. Items of this nature are essential to keep these important stories alive for generations to come.

Collection of such material both honours the individuals or organisations concerned, but also provides the building blocks for researchers and historians, both amateur and professional.

The same is true for the history of the Vietnam War. Without material such as that which libraries like the State Library collects – oral, photographic, written – a representative account of the war and its aftermath and the personal experiences of people affected by it will not be available for posterity.

Behind the Wire: Images and Stories of Vietnam Veterans is on display in the ground floor gallery until September 27 2015. For more information visit: www.slwa.wa.gov.au 

  • Information on donating heritage material to the Library’s collection
  • Explore Bill Bunbury’s interview series on the Vietnam war for the radio series‘Within our time’, held within the Library’s collection