Western Australian artist Sally Watts’ paper mache dog sculptures and 2D collages feature in our current exhibition Reigning Cats & Dogs.
We spent five minutes with Sally and discovered the passion and process behind her work as as an artist and illustrator. Here’s what she had to say…
Pets, particularly dogs are the subject of your paper mache sculptures. What inspired you to create the Paper Puppies series?
Dogs in particular have always been dear to me but because of a life of postings, first though my father and then my husband, it was quite impossible to have a pet. When we were finally able to stay in Australia we welcomed a tiny, energetic bundle of fur into our family of three: a long-legged Jack Russell named Myrmidon Jack Irish Beau. Beau for short and that was the only thing small about him. He was larger than life and gave us all much affection and amusement with his antics as well as a few heart stopping moments when he climbed a tree and escaped over the garden fence as a young pup. Jackies are notorious for wanting to know what is around the corner…and the next one too. I spent a couple of frantic hours calling his name and waving a chicken wing about until he spotted it across the park and claimed his prize (in his eyes anyway). He was quick to learn “party tricks” and loved to perform to an adoring audience. As a youngster he would enjoy basking in the sun and keeping a sharp eye out on proceedings in his garden. This was done sitting on the roof of his kennel-just like Snoopy the cartoon dog . Walks were high on his To-Do-List and socialising with the neighbourhood dogs in the park was a morning occurrence. He was a patient model when I wanted to draw him and he even found his way into some of my book illustrations. We were fortunate to share such a long time-17 years-with our little doggie dynamo. We love him still.
Many of us have attempted some form of paper mache sculpture, often with mixed results.Your Paper Puppies are smooth sculptures, they almost look like they are made out of clay. How do you achieve this affect?
The construction of the paper and plaster dogs is unusual in that an internal wire armature is not used. at all. The strength comes from binding tape and the many layers of paper and gesso (containing a high percentage of plaster). The whole process of producing a dog can take up to two weeks depending on drying time and the number of layers of paper and plaster.
Recycling and sustainability are key themes in your works. Why do you feel this is important?
My dog series has grown from a strong desire to contribute to sustainability but in a quirky way. A way that others may adopt and utilize in their art practice. Using re-purposed materials (newspaper, cardboard, envelopes, scrap paper and junk mail) to form a lively characterisation of man’s best friend, shares the important message of the versatility and re-usability of materials which are normally discarded. My eco-friendly sculptures start as disregarded rubbish-household paper waste and then take on a new life.
I like to think by encouraging others to make their own “Man’s Best Friend” I am, in a small way, helping to spotlight the great need to reuse and recycle one of our world’s precious commodities.
Your life of travel has influenced your ‘Letter From Home’ series. How do you determine which items are included in the collages? What meaning do these works hold for you?
For my collages I have been collecting text, tickets, maps, illustrations and more from my many homes over many years in many countries. I have always been fascinated and inspired by the mundane printed materials of everyday life in our throw-away society. Each collage in the series Letters from Home begins with long accumulated found items from “home”, wherever that was, and become a part of a personal jig-saw and a journey down Memory Lane. I take these pieces of memory and layer them. This layering and patching of words, letters and colours create their own tensions and harmonies within abstract compositions. From this manipulation emerges a pattern of recalled personal memory. Some text can be read easily, some is intentionally obscured. Just as a memory is sometimes sharp and intense and at other times only a fragment will surface to tease. The items themselves are commonplace and trigger a particular thought for me but the same piece, because of it familiarity, will most certainly evoke a completely different, yet no less powerful, memory for others. I use this imagery to evoke memory, both for myself, of a time and place left behind, and for the viewer. At the same time these words, pictures and patterns are also an integral part of the overall visual design. My collages are made with original source material.
Reigning Cats and Dogs is on in The Place at the State Library until 20 July.
Explore artwork of pets from the Peter Williams Collection of Illustrations, including artworks by Julie Vivas, Leigh Hobbs, Shaun Tan, Jane Tanner, Ron Brooks and more.
For more information visit: State Library Website